The Actor
By Guillermo Lopez Meza March 13, 2025
Duke Johnson’s film stands out primarily for its striking visual identity, the kind of that screams “director’s vision” in every frame with all the indulgence and fascination that entails.
Duke Johnson’s film stands out primarily for its striking visual identity, the kind of that screams “director’s vision” in every frame with all the indulgence and fascination that entails.
A stylish, crackling, London-set tale of spies and duplicity, starring Michael Fassbender and Cate Blanchett.
Director Rungano Nyoni creates a rich and intriguing world that reveals a fraught family drama through the lens of a specific community.
It wouldn’t be a French film festival without Isabelle Huppert, and she arrives this year in Patricia Mazuy’s Visiting Hours.
Four recommendations for this must-see annual festival.
A half-baked and only fitfully amusing parody of Star Wars and Dune, of all things.
The movie is an unlikely success, one that illuminates the meaning of a place and the passage of time with subtlety and poignancy.
The biopic of wrestler Mildred Burke is at its best when it embraces the pageantry and over-the-top performances of the squared circle.
For now-adult fans who grew up watching Robert Pattinson in “The Twilight Saga,” there may be a particular appeal here in a three-way scene with not one, but two Pattinsons.