The Bend in the River
A quietly fascinating continuation of Robb Moss's chronicling of five friends over the decades.
A quietly fascinating continuation of Robb Moss's chronicling of five friends over the decades.
At first, this feels almost like a documentary on the opioid crisis: There is little cinematic flourish, and the acting feels raw.
Under its cloak of slasherdom and horror, Jane Schoenbrun’s latest is, in a way, perhaps just a euphoric, queer romantic comedy.
From an array of eclectic films, here are three among the varied slate that may have been somewhat overlooked.
Shot in Alberta at the foothills of the Canadian Rocky Mountains, writer-director Avalon Fast creates a dreamy atmosphere of witchcraft afoot within a tranquil summer camp.
A variety of films covering 1990s Hollywood, nonconformist athletes in Pakistan, the American Dream, gay activism in 1970s New York, as well as a big award winner at the festival.
Inspired by a mishmash array of movies, John Early’s picture mixes tones successfully—both lighthearted and dark, a bit snide, but mostly earnest and heartfelt.
This newly restored, San Francisco–set trans and butch buddy movie is a fresh, invigorating jolt and an intimate glimpse of marginalized, yet commanding, characters from a bygone era.
Its vivid sense of place is one of the film’s strengths.