The Rivals of Amziah King
By Guillermo Lopez Meza August 13, 2026
This represents a welcome return for Matthew McConaughey, reminding us how daring and liberated an actor he can be.
This represents a welcome return for Matthew McConaughey, reminding us how daring and liberated an actor he can be.
A quietly fascinating continuation of Robb Moss’s chronicling of five his bohemian friends.
At first, this feels almost like a documentary on the opioid crisis: There is little cinematic flourish, and the acting feels raw.
Under its cloak of slasherdom and horror, Jane Schoenbrun’s latest is, in a way, perhaps just a euphoric, queer romantic comedy.
Kiyoshi Kurosawa finally ventures into the samurai genre for the first time, though in a far less conventional fashion than its impeccable production design and lavish craftsmanship initially suggest.
The absorbing documentary explores how an owl that has spent its life in captivity finds itself in the wild and urgently needs to learn basic skills to survive.
More than just a commentary on leadership and hubris, The Odyssey is an adventure film, a romance story, a coming-of-age tale, and a Greek tragedy all rolled into one.
Ross McElwee’s latest film may be his most personal exploration yet, chronicling the grief he has felt since 27-year-old son died of a fentanyl overdose.
Carla Simón’s third feature is a truly special film—and her best yet. She captures the dynamics of family life with all its secrets, regrets, and resentments.