Buddy
By Ben Wasserman August 25, 2026
A horror film whose scares and campy laughs prey upon our attachment to nostalgic comfort.
A horror film whose scares and campy laughs prey upon our attachment to nostalgic comfort.
A genuine delight and a hilarious slapstick comedy-turned-legal thriller that features all the mayhem and hijinks you’d expect from Looney Tunes characters.
A tale of a marriage falling to unhappy pieces, its aggression mirrored by Russia’s invasion of Ukraine not far away.
This represents a welcome return for Matthew McConaughey, reminding us how daring and liberated an actor he can be.
A quietly fascinating continuation of Robb Moss’s chronicling of five friends over the decades.
At first, this feels almost like a documentary on the opioid crisis: There is little cinematic flourish, and the acting feels raw.
Under its cloak of slasherdom and horror, Jane Schoenbrun’s latest is, in a way, perhaps just a euphoric, queer romantic comedy.
Kiyoshi Kurosawa finally ventures into the samurai genre for the first time, though in a far less conventional fashion than its impeccable production design and lavish craftsmanship initially suggest.
The absorbing documentary explores how an owl that has spent its life in captivity finds itself in the wild and urgently needs to learn basic skills to survive.