Mother Mary
By Guillermo Lopez Meza April 16, 2026
David Lowery’s new movie is, in many ways, unclassifiable, flirting with different genres and featuring a mise-en-scène both restrained and grandiose at once.
David Lowery’s new movie is, in many ways, unclassifiable, flirting with different genres and featuring a mise-en-scène both restrained and grandiose at once.
The powerful first part of Sophy Romvari’s semi-autobiographical story reveals a frightening family struggle through the eyes of a young girl.
There’s a verbose richness to Ed Solomon’s text and Steven Soderbergh’s cool visual flair that works wonderfully together here.
Rarely seen since the early 1990s, this haunting memory piece, written by Harold Pinter and directed by Jerry Schatzberg, returns to the screen.
Gianfranco Rosi has created a somber, eerie study of Naples in black and white. Sometimes the city looks part crime scene, part modern-day ruin.
A rollicking, emotionally charged journey that captures the wonder, danger, and unexpected friendships one might find while exploring the cosmos.
As director Paris Barclay makes clear, Preston was one of the early 1970s’ most exciting and original musicians, either as an invaluable sideman or as a hitmaker.
Baz Luhrmann and Elvis Presley go well together. EPiC mines unseen footage from two early 1970s Elvis concert films that have been restored.
This striking film is, in some ways, a simple, realist story in which two young boys are allowed a full day with the father who they rarely see.