The biopic of jazz guitarist Django Reinhardt is given a stifling, low-energy treatment.

Two restless, intractable talents dominate European biopics of female stars, little known to the American public.

The Journey reminds us of the hopeful example from a decade ago that peace is possible between the bitterest of enemies.

A bride-to-be tells a catering hall manager to keep the name of the groom on the invitations blank; she’s sure to find her true soul mate, sooner rather than later.

Though set shortly after World War I, the film has surprising resonance today.

Prison life from the perspective of corrections officers tasked with enforcing the rules and carrying out punishments.

Iranian director Asghar Farhadi’s latest film is heavily laden with slow-burning layers of undercurrents.

Isabelle Huppert delivers a gimlet-eyed, ferociously single-minded performance as yet another tense, driven character.

Lian (Chinese megastar Fan Bingbing) is a woman on a mission, but she’s neither Norma Rae nor Mother Courage.