Depicting a mental disability on film is always tricky, but actress Moran Rosenblatt does a fine job balancing her character’s inherent sweetness with an underlying sense of frustration.

Arnaud Desplechin’s latest film encompasses many lives in one. Like all our parallel lives, some make more sense than others in this rich, thought-provoking, and overstuffed film.

Meryl Streep has recently undertaken to play Florence Foster Jenkins in a film by Stephen Frears that will come out later this year. French writer/director Xavier Giannoli, though, has beaten that production to the punch with his deluxe variation of Jenkins’s biography.

Slapstick meets The Bad Seed in Julie Delpy’s fitfully charming tale, marked by contradictory impulses and abrupt, bewildering shifts in tone.

Within 11 days’ time, New Yorkers can see a significant slice of current French films that have won acclaim at Cannes and earned praise back home.

There is room for big, loud, dumb expensive movies in the world, but Michael Bay, you just got schooled on how to make a disaster flick by the Norwegian upstarts behind The Wave, which is a hell of a fun ride.

For brutal emotional impact, there is nothing like this film out now, It’s a highlight at this year’s Rendez-Vous with French Cinema series.

The annual festival offers up a wide range of moods, styles, and responses to the shifting times we inhabit. This year’s offerings draw on nostalgia, gazing back at feminism’s 1970s heyday.

Peter Matthiessen’s 1978 novel The Snow Leopard recounts his journey through the Himalayas with a team of Sherpas as guides. Among them was Tukten, for whom Matthiessen felt a particular reverence, often referring to him as a “shaman” for an unnamable, soulful quality, despite a tendency toward unreliability and pesky behavior. Tukten teaches one of […]