Blue Heron, Glenrothan, Sink, The Smashing Machine | TIFF 2025
By Kent Turner September 12, 2025
With more than 200 feature films playing out over 11 days, and depending on the viewer’s stamina, there are countless variations of what to see.
With more than 200 feature films playing out over 11 days, and depending on the viewer’s stamina, there are countless variations of what to see.
You are never too old to undergo a rite of passage.
A plucky (sorry) protagonist’s odyssey in Greece.
Director Park Chan-wook takes as his blueprint Donald E Westlake’s lean and mean bloodbath The Ax (1997) and makes the macabre and cynical tale his own.
A blunt, deliriously funny comedy emerged as the festival’s standout, while a drama with big-name actors proved dramatically inert.
These documentaries stood out: one on a cult classic, another on a pioneering Oscar winner, and a third on an acclaimed local artist.
The film succeeds both as a sharp social critique and as a traditional Middle Eastern drama.
Each of these films thrives on compelling performances, including by Gretchen Mol and Rose Byrne.
Year after year, documentaries have tended to showcase the strongest works at Tribeca. Once again, this was true.