No Other Choice | TIFF 2025
By Kent Turner September 9, 2025
Director Park Chan-wook takes as his blueprint Donald E Westlake’s lean and mean bloodbath The Ax (1997) and makes the macabre and cynical tale his own.
Director Park Chan-wook takes as his blueprint Donald E Westlake’s lean and mean bloodbath The Ax (1997) and makes the macabre and cynical tale his own.
A blunt, deliriously funny comedy emerged as the festival’s standout, while a drama with big-name actors proved dramatically inert.
These documentaries stood out: one on a cult classic, another on a pioneering Oscar winner, and a third on an acclaimed local artist.
The film succeeds both as a sharp social critique and as a traditional Middle Eastern drama.
Each of these films thrives on compelling performances, including by Gretchen Mol and Rose Byrne.
Year after year, documentaries have tended to showcase the strongest works at Tribeca. Once again, this was true.
Much of this coming-of-ager is so convincingly awkward that I kept needing to hide my face in embarrassment.
Three films brought the British Invasion of the 1980s roaring back to life.
Among this year’s narrative selections were three New York City–centered films making their world premieres—two of which audiences should definitely keep an eye on.