A ridiculous, beautiful, heartbreaking, and hilarious musical best enjoyed with an open mind.

A crowd-pleasing addition to the subgenre of movies about movies.

The emotionally charged Bangladeshi mother-daughter drama marks the strong debut of director Maksud Hossain.

Simultaneously vital and sepulchral, The Brutalist is monumental—grand, bold, and ambitious.

These were some of Toronto’s top picks.

The debut film by Giovanni Tortorici, a spry filmmaker, has moxie.

Director Milad Tangshir’s feature debut expands upon a certain Italian neorealism classic, Vittorio De Sica’s Bicycle Thieves.

The movie certainly gets one thing right: Many on the original Saturday Night Live were stoned and/or coked-out of their minds.

If directing is 90% casting, then that is the main reason why Anora remains engaging through its ups and downs.