Barrio Triste, Last Night I Conquered the City of Thebes, Pin de Fartie | NYFF 2025
By Guillermo Lopez Meza October 17, 2025
Three hidden gems and undistributed films that deserve attention.
Three hidden gems and undistributed films that deserve attention.
There could possibly be no more fitting option to end the 63rd New York Film Festival than with the selection of a New York–set romantic comedy with gravitas.
A bold and remarkably assured feature directorial debut plays out mostly like a fizzy—albeit sexually explicit—romantic comedy, with deep dramatic undertones.
Another in Kelly Reichardt’s canon of deceptively modest stories of ordinary people set within a specific place and time.
With a sly undercurrent of darkness, Jay Kelly is more bitter than sweet. It’s far richer and more complex than you might expect.
An exception to the rule that films limited mainly to one location can feel stagey and stifling.
One of the year’s most intense and unclassifiable thrillers.
It’s exciting to see Julia Roberts tackle a complicated, prickly character after being pigeonholed with the trivial moniker “America’s Sweetheart” in the past.
A compelling and moving portrait of a vanishing way of life in North Macedonia.