Film-Forward

Reports that “comedy is dead” have been greatly exaggerated. Or, in any case, that memo didn’t reach the 2024 Tribeca Festival.

This allegory takes some of the worst experiences of puberty to become, at times, a genuinely bewildering horror movie.

The life of Jenna Marvin, a queer performance artist from Russia, is captured in this bold and sobering documentary.

A small and subtle triumph of acting. The characters are all drawn with empathy and are often surprising.

Director Pablo Berger has crafted a fantastical tale of great visual (and sonic) inventiveness that is as gorgeous to look at as it is emotionally bittersweet.

Richard Linklater’s latest is a lot of things at once, and each one of them is excellent.

The hit of the series is There’s Still Tomorrow, a sensation and conversation piece in Italy.

The film is about this store and the director’s attempt to make sense of a life that he has not, thus far, spent the way he intended.

The documentary doesn’t shy away from Lynes’s sublime nude photography, rather it ravishes in it, as if to visually reclaim a suppressed history.