Martin McDonagh’s latest dark buddy dramedy about morally dubious characters, friendship, and the possibility of redemption.

Uncompromising and unashamed of explicit nudity and gay sex, On the Road fully steps into a quasi-forbidden world—or at least it feels that way.

Fatherland will surely have a fruitful run among specialized audiences (film lovers, history buffs, literary scholars).

The feature film debut of Alex Ullom makes for a confident first impression.

A woozy road movie, a wistful sketch of an Italy fallen from grace, and a wry comedy.

With a sly undercurrent of darkness, Jay Kelly is more bitter than sweet. It’s far richer and more complex than you might expect.

One of the year’s most intense and unclassifiable thrillers.

A Big Bold Beautiful Journey wears its heart on its sleeve, animated by a romantic notion that asks audiences to accept it as it is.

The first three-quarters of Vulcanizadora plays like Antonioni by way of Kevin Smith.