Luca Guadagnino has made less a horror thriller and more of a performance art piece, with a touch of louche elegance.

A welcome and intriguing entry to the werewolf canon.

The premise of this zombie movie is simple: How does one survive?

A visceral, ambitious horror film that delivers some genuine tension and chills but bites off way, way more than it can chew.

The directorial debut from Spanish screenwriter Sergio G. Sánchez (The Orphanage and The Impossible).

William Jackson Harper’s of The Good Place brings a similar intellectual edge to this head-trippy horror flick, where he’s in what is most definitely a bad place.

Two orphans, a decrepit mansion, and a metaphysical presence.

With every shot a saturated, gorgeous explosion of kitsch perfection, this elaborate send-up of 1960s and ’70s occult sexploitation films boils and toils over a bubblin’ cauldron of sheer spectacle.

Nicolas Winding Refn’s latest film is a candy coated, neon drenched homage to classic 1980’s psychodramas, and a loud, pretentious mess.