Nicolas Winding Refn’s latest film is a candy coated, neon drenched homage to classic 1980’s psychodramas, and a loud, pretentious mess.

This is actually a romantic farce masquerading as a horror/comedy, with a light and dry touch.

In this horror/comedy, the camera crew of a third-rate home improvement show travels to Moldova to revisit an American living there to see how she fixed up her way, way deep-in-the-woods cottage.

Emelie preys on our nightmares and so has more in common with thrillers like Rosemary’s Baby than current pulpy horror flicks. Its scares are strongest when they’re coming from what’s hidden, and from what’s left unsaid.

The woods: few phrases conjure up scares so visceral. This portrait of a Puritan family confronted with witchcraft is ultimately about our most fundamental fears: the dark, the unknown, and, of course, one another. Believing that their settlement’s way of practicing their faith is too liberal, a family of six—husband William, wife Katherine, eldest daughter […]

Before I settled down in my seat to watch the new horror/comedy Nina Forever, my friend and I were discussing a particular film that I liked and he didn’t. He did admire its audacity, though. He said it was a film you had to go “all in for.” Fortuitously, Nina Forever is an absolutely “all […]

Southbound comes from the makers of the popular “V/H/S” series, and they are doing their darndest to bring back the horror compilation, a long dormant venture that most recently peaked in the 1980s with Creepshow and Tales from the Crypt. Southbound ditches the campy humor of those examples and tries for a more gritty, grungy […]

The found-footage horror film is the ugly stepchild in a family of ugly stepchildren. If slasher films do not get respect, found-footage movies, save for one or two, tend to elicit groans and rolling eyes. They are super cheap to make, the cinematography and sound are generally awful, and the acting worse because, for the […]

Body is reminiscent of an episode of an old Alfred Hitchcock TV show. (I’m not aging myself here. It aired long before I was born). It has a quick, concise high-concept idea that can play out in an hour. It also barely rates as a feature, coming in at 75 minutes, and for the most […]