A sweet-natured, dryly funny comedy that is not afraid to address the complex emotions that inform its humor.

An unflinching, immersive look at childhood bullying that plunges us deep into a child’s agitated POV.

For moviegoers searching for a thoughtful and suspenseful work outside of the North American and Western European bubble, this is a must-see.

Ruin porn addicts will revel in the film’s rich dinginess, while others may be pulled in by a gruffly sentimental story of a purehearted immigrant putting his life on the line for distinctly lesser men.

A lot of activity takes place around a wistful antihero buffeted by events: a noble deed that goes awry, a social media pile-on, and a good old-fashioned vendetta.

Mike Mills’s big heart is his greatest strength, but also his greatest weakness, both of which are on display in his new film.

Riz Ahmed’s new film begins with an alien invasion and turns into something else.

This is not the sort of film in which you forget that you are watching actors.

One might think that a film named after the capital of Northern Ireland and set in 1969 just as the Troubles were heating up wouldn’t give you the warm and fuzzies. Yet Kenneth Branagh’s semiautobiographical film does.