Apolonia, Apolonia; Neirud | DOC NYC 2023
By Andrew Plimpton November 30, 2023
Two arresting portraits of women artists who, in different ways, grew up in the theatre.
Two arresting portraits of women artists who, in different ways, grew up in the theatre.
Two documentaries direct our gaze to places in the world where freedom of press is especially fraught.
The annual DOC NYC festival offers a selection that is especially diverse, both in nationality and in approach.
Who could have anticipated that the most fiery and impactful revitalization the western genre has received in years would come in the form of a Chilean period piece about a horseback expedition of mercenaries riding across Tierra del Fuego?
Léa Seydoux completely immerses herself in this demented and sprawling epic romance about missed opportunities.
At a fleet 81 minutes, Aki Kaurismäki’s latest film exemplifies a slim version of the director’s perfected brand of tragicomedy.
Harmony Korine’s new work (don’t call it a “movie”) suggests an episode of Miami Vice filtered through a psychedelic, acid-soaked consciousness.
In one of the most unusual approaches to the heist film genre, this absorbing piece of Argentinian cinema replaces the sense of danger with sophisticated humor.
Todd Haynes’s subtle and delicate film kicked off this year’s festival. It stars Natalie Portman, in one of her most intricate performances.