The Fun Starts Here Who would have thought that the funniest moments at the Toronto International Film Festival would revolve around climate change and activism? Ten years ago, the message-delivering pranksters, the Yes Men, first spread their alarming messages in their eponymous documentary. Instead of staging street protests, they pull off media stunts to the […]
After more than a week seeing 41 movies (in addition to the 21 seen earlier), I found few obvious outstanding discoveries at the Toronto International Film Festival compared with last year, whose standouts included the beautifully made Ida, the raucous We Are the Best!, and a stronger sampling of art films. Overall, the best selections […]
My last screening at this year’s Cannes Film Festival, the 34th in eight days, was a rewarding way to wind down, ending the festival on a rich, resonating note. Director and writer Olivier Assayas smoothly makes his first (mostly) English language foray, buoyed by the strong performance of Juliette Binoche. While Assayas’s new film has […]
In the awards competition at the Cannes Film Festival, two films rejuvenated the often clunky genre of the biopic. Mike Leigh, whose films have won many honors here, offered something of a departure from his previous output. Mr. Turner, appropriately his most picturesque film yet, explores the later years of pre-Impressionistic, pre-rebel chic painter J.M.W. […]
Brothers Jean-Pierre and Luc Dardenne were definitely overlooked, if not slighted, by the awards jury at this year’s Cannes Film Festival, coming away empty handed, perhaps because the directing team has previously won so many awards there and they don’t break thematic or narrative ground in the new Two Days, One Night. The long takes […]
The Directors’ Fortnights at the Cannes Film Festival was established in 1969 as an alternative to the official selection, as a way of opening the door to “free and adventurous cinema” (per its program guide) and promoting new directors. It has since become a showcase for the up-and-coming, spotlighting Martin Scorsese, Michael Haneke, Werner Herzog, […]
One of the top films at Cannes this year—and one of the most shocking and brutal—was The Tribe, from the Ukraine. It was also the most ambitious, dangerous, and accomplished by a debut filmmaker. No subtitles were necessary. It has no spoken dialogue and no translation of any kind; it’s all told through sign language. […]
The New Directors/New Films series at the Film Society of Lincoln Center and the Museum of Modern Art is a terrific New York City showcase for creative cinema. Not all the best in the 43rd edition of this international feast have yet been picked up for commercial distribution, but nevertheless they deserve to be seen […]
Two films in this year’s New Directors/New Films program represent the breed of hybrid blending of fact and fiction that both of its sponsoring institutions are also championing in separate annual series, the Museum of Modern Art in its just completed Documentary Fortnight International Festival of Nonfiction Film and Media and the Film Society of […]