A Decent Man | Rendez-Vous with French Cinema
By Caroline Ely March 4, 2016
For brutal emotional impact, there is nothing like this film out now, It’s a highlight at this year’s Rendez-Vous with French Cinema series.
For brutal emotional impact, there is nothing like this film out now, It’s a highlight at this year’s Rendez-Vous with French Cinema series.
The annual festival offers up a wide range of moods, styles, and responses to the shifting times we inhabit. This year’s offerings draw on nostalgia, gazing back at feminism’s 1970s heyday.
Once again, the Film Society of Lincoln Center leans on the staff of its monthly magazine, Film Comment, to present this annual series, an eclectically curated group of overlooked and perhaps underappreciated films. This year proves no exception to the typical high quality of noteworthy films from around the world, many of which are making […]
The festival Making Waves: New Romanian Cinema, screening at the Film Society of Lincoln Center from December 2-8, is celebrating its 10th edition, and is using this milestone as an occasion to look back on the Romanian New Wave, which, of course by now, is not so new. Besides its usual focus on recent films—which […]
Three Asian films at the DOC NYC festival reveal spaces we rarely see and people we are unlikely to meet, even in a globalized, connected world. These outwardly calm works contain unpredictable emotions, immense risks, and power games sometimes unseen, sometimes thrust into the open. “We had to destroy the village in order to save […]
One challenge at the Toronto International Film Festival is having enough time to check out films and directors that you may not know, in search of a gem that you (and thousands of others) can discover and claim as your own. Fortunately, a handful of shot-in-the-dark experiences were among the most memorable this year. A […]
The Toronto International film festival is so vast that its hard to get a handle on it. With a selection of 288 feature films, TIFF is really about a dozen festivals under the umbrella of one. A viewer can only hope to taste a slice of the programming. Even if festivalgoers intend on solely exploring, […]
The premieres of films by internationally known directors attracted most of the coverage at Cannes: consider the critical love that was bestowed upon Todd Haynes’s Carol or the thumping Gus van Sant received for The Sea of Trees. Big names were represented from all over: Asian auteurs (Jia Zhang-ke and Hou Hsiao-Hsien) and the big […]
It was only the third day of the Cannes Film Festival when Chicago Tribune critic Michael Phillips rightfully predicted that the first feature film by Hungarian director Laszlo Nemes would win a top jury award. He wasn’t exactly sticking his neck out. Even if the official competition’s lineup were strong this year, and it wasn’t […]