Captain Fantastic | Cannes 2016
By Kent Turner July 15, 2016
Family friction plus quirky culture clashes plus road trip nearly equals Little Miss Sunshine.
Family friction plus quirky culture clashes plus road trip nearly equals Little Miss Sunshine.
The city’s premier showcase of the latest and greatest from international film festivals celebrates its 15th anniversary by continuing what it does best: highlighting the richness to be found in Asian cinema.
Urgency. That was the main ingredient propelling many of the best films at this year’s Cannes Film Festival, including the winner of the Palme d’Or, I, Daniel Blake.
An observational, 160-minute-long family drama-cum-screwball comedy took critics by surprise at this year’s Cannes Film Festival.
Though rife with sexual violence and graphic dialogue, the last film to premiere at the Cannes Film Festival was also the most elegantly made in the competition: Paul Verhoeven’s blunt, button-pushing, stinging comedy.
This year, the two best films made by first-time feature filmmakers at Cannes were animated. Both movies are told with precision but without rigidity. In both cases, you won’t know where the free-flowing story is headed.
In this roundup: the powerful, timely National Bird; Memories of a Penitent Heart, an intimate family portrait and a mystery; Sam Neill as a crusty old codger; and the charming, low-key Don’t Think Twice.
All of the films seen in this round of Tribeca screenings are worthwhile, and the best is, frankly, excellent, including the gorgeous The Ride and the funny and poignant The Charro of Toluquilla
This year’s festival offers up a wide range of documentaries that are timely and confidently made, with The Happy Film an example of finesse.