Palme d’Or Winner “I, Daniel Blake” | Cannes 2016
By Kent Turner May 23, 2016
Urgency. That was the main ingredient propelling many of the best films at this year’s Cannes Film Festival, including the winner of the Palme d’Or, I, Daniel Blake.
Urgency. That was the main ingredient propelling many of the best films at this year’s Cannes Film Festival, including the winner of the Palme d’Or, I, Daniel Blake.
An observational, 160-minute-long family drama-cum-screwball comedy took critics by surprise at this year’s Cannes Film Festival.
Though rife with sexual violence and graphic dialogue, the last film to premiere at the Cannes Film Festival was also the most elegantly made in the competition: Paul Verhoeven’s blunt, button-pushing, stinging comedy.
This year, the two best films made by first-time feature filmmakers at Cannes were animated. Both movies are told with precision but without rigidity. In both cases, you won’t know where the free-flowing story is headed.
In this roundup: the powerful, timely National Bird; Memories of a Penitent Heart, an intimate family portrait and a mystery; Sam Neill as a crusty old codger; and the charming, low-key Don’t Think Twice.
All of the films seen in this round of Tribeca screenings are worthwhile, and the best is, frankly, excellent, including the gorgeous The Ride and the funny and poignant The Charro of Toluquilla
This year’s festival offers up a wide range of documentaries that are timely and confidently made, with The Happy Film an example of finesse.
The spirit of the Coen Brothers’ (arguably) best movie hovers over narrative entries in this year’s Tribeca Film Festival, with the director of one film even citing it as a direct influence.
Within 11 days’ time, New Yorkers can see a significant slice of current French films that have won acclaim at Cannes and earned praise back home.