The Boy and the Heron | TIFF 2023
By Kent Turner September 10, 2023
Without a doubt, the 82-year-old Hayao Miyazaki pulls out all stops visually in perhaps his most beautiful movie.
Without a doubt, the 82-year-old Hayao Miyazaki pulls out all stops visually in perhaps his most beautiful movie.
The best way to enjoy this four-letter-word-filled frolic is probably to be inebriated. (This reviewer could have used a drink while watching it.)
The latest addition to the growing number of Brazilian films that offer pungent perspectives on the country’s rising Evangelical movement.
Three titles varied movies screenings during the final weekend of the festival’s 16th edition.
Director Maria Fredriksson got more than she bargained for in this onscreen family squabble, and audiences will too.
At its best, the documentary describes the homophobia of mid-20th century America by those who lived through it, while also tracing the highs and lows of the movie star’s career.
Though dissimilar, these three films have at least one commonality. Anxiety about the changing world animates, in different ways, this trio.
Post-colonial fallout reverberates through several strong films at the 2023 edition of the annual festival.
The documentary explores the traumatic and uniting aspects of the lives of sex workers in New York City’s Meatpacking District, from the 1970s into the early 21st century.