Widows
By Caroline Ely November 16, 2018
A moody, fleet-footed story of four women out for revenge—and big money.
A moody, fleet-footed story of four women out for revenge—and big money.
Part feminist revenge tale, part psychological family drama, and part unlikely love story.
A discovery at the Toronto International Film Festival: a noirish crime drama set in 19th-century rural Denmark.
An implausible, real-life museum heist becomes perfect movie material for director Alonso Ruizpalacios.
A handsomely made, well-acted entry in the legal procedural genre, which, despite its references to Japanese criminal law, should be accessible to most viewers.
Based on a real-life incident, young upper-middle-class men turn to crime as a cure for boredom, and now they are the subject of a film that is anything but boring.
Everything about Gemini is cool, from its steely blue, neon color palette to the jazzy-noir-synth-pop soundtrack.
Casablanca stands in for Cairo—and makes a compelling star. The story takes place in the days leading up to the Arab Spring in January 2011, and the city throbs with discontent.