Film-Forward

About Kent Turner

Kent Turner, the editor of Film-Forward, learned the ropes of the festival circuit at the San Francisco International Film Festival and has worked in film production and acquisition in Los Angeles. He is currently the director of programming at the Monmouth Film Festival.

Liberté | NYFF 2019

Albert Serra's film has a strange, almost hypnotic pull, while turning its watchers into complicit voyeurs.

By |October 12th, 2019|Festivals, sex|0 Comments

New York Film Festival 2019

For New Yorkers attending the NYFF, it’s almost like going to the Cannes Film Festival, but without the jetlag, the exchange rate, and the overpriced accommodations.

By |October 10th, 2019|Festivals|0 Comments

The Irishman | NYFF 2019

The mid-20th century male who stifles his feelings, incapable of expressing himself: the blood-splattered man in the gray flannel suit.

By |September 30th, 2019|Crime|2 Comments

Judy

Renée Zellweger headlines this Judy Garland biopic, as the singer/actress in the twilight of her career.

By |September 26th, 2019|Biopic|0 Comments

The Australian Dream | TIFF 2019

An arresting and alarming documentary scrutinizes racism on the football field and throughout Australian culture, as experienced by one of the country's star players.

By |September 21st, 2019|Australian, Festivals|0 Comments

Frankie | TIFF 2019

If Portugal becomes overrun with tourists, blame can go to director Ira Sachs’s new drama.

By |September 11th, 2019|Family drama, Festivals|0 Comments

Sorry We Missed You, American Woman | TIFF 2019 Kicks Off

Ken Loach returns to TIFF with a film that is, in many ways, as strong and less predictable than I, Daniel Blake, which won the Palme D’Or, and Toronto-based Semi Chellas adapts author Susan Choi's fictionalized take of Patty Hearst on the lam.

By |September 5th, 2019|Festivals|0 Comments

The Nightingale

If Jennifer Kent’s first film, The Babadook (2014), had a sinister undercurrent, her new and more multifaceted film unleashes it in full force.

By |August 5th, 2019|Australian, Top Picks|0 Comments

Skin

From the get-go, director Guy Nattiv’s visceral depiction of neo-Nazi Bryon Widner’s escape from his white supremacist surrogate family demands a reaction from the audience.

By |July 29th, 2019|Indie|0 Comments