The Human Voice | New York Film Festival 2020
In only 30 minutes, Pedro Almodóvar’s elegant take on Jean Cocteau’s 1930 one-act/one-woman meltdown packs more drama than many movies four times its length.
In only 30 minutes, Pedro Almodóvar’s elegant take on Jean Cocteau’s 1930 one-act/one-woman meltdown packs more drama than many movies four times its length.
A sharply detailed account of how the Federal Bureau of Investigation used its resources to target civil rights leader Martin Luther King Jr.
The clip and talking-head-fest is a compilation of R-rated reveals, and note the subtitle. It really is a history lesson as well as a catalog of the nude and famous.
Year in and year out, the festival showcases recent star vehicles for France’s leading actresses. During its first week, Juliette Binoche was the series' secret sauce.
Danger comes from all corners: snipers; huge, voracious rats; and land mines. World War I, in its many facets, is the central character.
The March sisters are back, and Greta Gerwig’s got ‘em, but do moviegoers need another movie of Louisa May Alcott’s family saga?
There is no escaping that the films favored this year (with the exception of two) are all somehow crime related, though they broadly range from the elegant to the earthy.
Distrust of the federal government’s machinations and suspicion of journalists permeate Clint Eastwood’s account of the 1996 Summer Olympics bombing.
Not since The Sound of Music have the Austrian Alps been such scene stealers. The dramatic, mountain landscapes are the go-to visual motifs in Terrence Malick's new meandering movie.