The End of Oak Street
By Ben Wasserman August 13, 2026
A pulp concept mixed with ‘80s-inspired storytelling and gory, pulse-pounding execution. It never loses sight of the fun that comes from such absurdity.
A pulp concept mixed with ‘80s-inspired storytelling and gory, pulse-pounding execution. It never loses sight of the fun that comes from such absurdity.
Despite juggling a few too many characters and Marvel callbacks, this is ultimately—if not spectacularly—still an exhilarating web-slinging adventure.
When it’s not Steve Jablonsky’s original score, you’ll regularly be listening to classic ’70s songs straight out of James Gunn’s favorite soundtracks.
It’s Milly Alcock’s performance that helps stitch Supergirl’s underdeveloped ends into something reasonably engaging.
Words can’t begin to describe how epic, powerful, and absolutely bone-crushing the fights are.
Darren Aronofsky’s new film bursts into theaters with electrifying energy, a perfect action romp to close out summer escapism.
Although everyone involved was clearly having fun, that enjoyment doesn’t fully translate to the screen.
If an existentialist action film is even possible, Cloud would be a prime example.
Superman succeeds as a piece of entertainment that inspires hope through kindness, just when we need it most.