Little Women
The March sisters are back, and Greta Gerwig’s got ‘em, but do moviegoers need another movie of Louisa May Alcott’s family saga?
The March sisters are back, and Greta Gerwig’s got ‘em, but do moviegoers need another movie of Louisa May Alcott’s family saga?
There is no escaping that the films favored this year (with the exception of two) are all somehow crime related, though they broadly range from the elegant to the earthy.
Distrust of the federal government’s machinations and suspicion of journalists permeate Clint Eastwood’s account of the 1996 Summer Olympics bombing.
Not since The Sound of Music have the Austrian Alps been such scene stealers. The dramatic, mountain landscapes are the go-to visual motifs in Terrence Malick's new meandering movie.
Even with a prestigious cast that includes Anne Hathaway, Tim Robbins, Bill Pullman, this feels like a throwback to the made-for-HBO movies of the 1990s and early 2000s.
Imelda Marcos is charming, ever defiant, and not the least of all, boastful, or perhaps delusional. Her responses are pithy, quotable, and wholly narcissistic.
Take a deep dive into the U.S. Senate’s investigation of the CIA’s use of detention and enhanced interrogation techniques.
If the racing scenes give off a you-are-there sensation, the rest of the movie doesn't leave you in the dust either.
Ticket buyers will be well served to pick à la carte, because of the wide array of films and genres and the consistently high level of filmmaking.