New York Film Festival 2019
For New Yorkers attending the NYFF, it’s almost like going to the Cannes Film Festival, but without the jetlag, the exchange rate, and the overpriced accommodations.
For New Yorkers attending the NYFF, it’s almost like going to the Cannes Film Festival, but without the jetlag, the exchange rate, and the overpriced accommodations.
The mid-20th century male who stifles his feelings, incapable of expressing himself: the blood-splattered man in the gray flannel suit.
An arresting and alarming documentary scrutinizes racism on the football field and throughout Australian culture, as experienced by one of the country's star players.
If Portugal becomes overrun with tourists, blame can go to director Ira Sachs’s new drama.
Ken Loach returns to TIFF with a film that is, in many ways, as strong and less predictable than I, Daniel Blake, which won the Palme D’Or, and Toronto-based Semi Chellas adapts author Susan Choi's fictionalized take of Patty Hearst on the lam.
If Jennifer Kent’s first film, The Babadook (2014), had a sinister undercurrent, her new and more multifaceted film unleashes it in full force.
Quentin Tarantino's most exuberant and, believe it or not, minimalist film riffs on late-1960s Hollywood.
