The Samurai and the Prisoner
Kiyoshi Kurosawa finally ventures into the samurai genre for the first time, though in a far less conventional fashion than its impeccable production design and lavish craftsmanship initially suggest.
Kiyoshi Kurosawa finally ventures into the samurai genre for the first time, though in a far less conventional fashion than its impeccable production design and lavish craftsmanship initially suggest.
Olivia Wilde creates a kind of sexy monster who may well become one of the most memorable characters you see this year.
Director Hirokazu Kore-eda’s latest offering could hardly feel less Hollywood in either spirit or execution.
This is The Wizard of Oz, only with transactional sex, gangsters, Hollywood misfits, countless pop culture references, and surprise celebrity cameos.
Carla Simón's third feature is a truly special film—and her best yet. She captures the dynamics of family life with all its secrets, regrets, and resentments.
Director Olivia Wilde's greatest asset is the chemistry among her quartet of performers. It is also worth remembering how committed and versatile Wilde can be as an actress.
Three standouts that should not be missed upon their deserved theatrical releases: a modern adaptation of Virginia Woolf’s Mrs. Dalloway, a mesmerizing romantic drama, and an unpredictable show-business comedy.
Director Adrian Chiarella’s feature debut stands out for the way it translates its ideas both visually and narratively, further confirming 2026 as an exceptional year for new voices in horror.
This summer, a movie spoof arrives, riffing on the disaster-film genre, but with a variation never attempted before, or at least not on this scale: Make it gay, make it drag, make it unabashedly queer.