The cinematic equivalent of a lice-ridden raccoon and a scaly iguana fed into a fast-action blender and force-fed warm to the viewer over 170 minutes.

Previous Paul Thomas Anderson films are remarkable for the way they elude easy definition, but here, everything is exactly as it seems.

Bruce LaBruce’s reworking of Pier Paolo Pasolini’s 1968 Teorema is sex-positive, celebratory, and feverishly explicit.

A gutsy, quiet movie with a tinge of melancholy to go with its offbeat premise.

A whimsical musical and an almost psychedelic trip to the suburbs of Florida; a science-fiction farce loaded with foul language, explicit violence, and sexual references; and an amalgam of noir and black comedy.

The brainchild of longtime comedian and TV editor Vera Drew, which began as a dare to reedit Todd Phillips’s Joker.

A buoyant parable that manages to portray messy, complicated matters like democracy in a deft, light-to-the-touch, yet complex manner.

Writer/director Emerald Fennell dares you not to clutch your pearls.

Sebastián Silva’s meta-fiction is one of the funnier and adventurous comedies of the year so far.