Film-Forward

In one of the most unusual approaches to the heist film genre, this absorbing piece of Argentinian cinema replaces the sense of danger with sophisticated humor.

Although David Grann’s nonfiction page-turner offers more than enough material for a 206-minute film, the result here is lopsided.

Cage brings his trademark intensity to the role, albeit quiet and grizzled, to this effortlessly intense and beautiful looking western.

Todd Haynes’s subtle and delicate film kicked off this year’s festival. It stars Natalie Portman, in one of her most intricate performances.

It’s been an almost routine occurrence to see two of his films included in the New York Film Festival, and this year is no exception.

After three decades, Spanish director Víctor Erice returns with an elegy to cinema.

Jonathan Glazer’s new film is an essential addition to the representation of the Holocaust, and one of the best films of the year.

Raoul Peck peers into the predicament of a Black family who wants to reclaim their long-owned waterfront property in North Carolina, which is threatened by developers.

A dense and informative documentary about Christian missionary John Allen Chau’s doomed encounter on the isolated North Sentinel Island.