Fogo-Fátuo (Will-o’-the-Whisp) | Cannes Film Festival 2022
By Kent Turner May 27, 2022
The most audacious, funniest, and unpredictable work seen at this year’s festival.
The most audacious, funniest, and unpredictable work seen at this year’s festival.
A documentary love letter to David Bowie and a blast of wall-to-wall music from his 50-year career.
Director Charlotte Wells has struck gold with her young discovery, Frankie Corio, who delivered one of the best and most lived-in performances in the festival’s entire lineup.
This cringey comedy may be the best unofficial sequel to the 2010 documentary Catfish.
A frank and at times discomforting, in-depth portrait of young man who has cerebral palsy.
Two Ukrainian films are reminders that the current situation in Eastern Europe isn’t unprecedented at all, but history sadly repeating itself.
The film nimbly becomes a thriller without shedding its established rhythm. Before you know it, the tone has turned uncomfortably ominous.
Andrea Riseborough, who is practically a regular at SXSW, has arguably never been better.
Director Alison Otto exposes the double life of an unassuming middle-aged couple responsible for the theft of a Willem de Kooning painting, now estimated to be worth $160 million.