For a film about someone stuck and slowly coming to terms with trauma, it’s surprisingly spirited.

Much of this coming-of-ager is so convincingly awkward that I kept needing to hide my face in embarrassment.

Rarely has the subject of dementia been explored with such delicacy and insight as in Sarah Friedland’s feature debut.

A black comedy that is neither dark enough nor funny enough.

The delightful cast enhances this remake.

A ritzy Hollywood party does not go as planned.

The directorial debut of Michael Shannon, based on a play by Brett Neveu.

The romantic, sweet-natured film has the feel of cringe comedy, but only on the surface.

The movie is an unlikely success, one that illuminates the meaning of a place and the passage of time with subtlety and poignancy.