It is satirical absurdism cranked up to at least 15, introducing more and more genre-bending gimmicks per scene yet never winking once as the ridiculousness piles up.

For a story that teases some metaphysical quandaries, it is doggedly earthbound.

A quietly powerful debut feature, set in the American West in 2008, at the height of the financial and housing crisis.

James L. Brooks’s new film feels like it was written by an extraterrestrial being who has consumed too much media from the 1990s and 2000s and attempts to re-create how the human species behaves.

An earnest, though innocuous, feel-good movie for the armchair traveler.

People behaving nice and helpful to one another, despite chaos, seems novel these days, perhaps even groundbreaking.

If you are a fan of gritty 1990s indie film and have a taste for screwball comedy and eccentric Coen-esque characters, then Bunny is for you.

Director Mary Bronstein bravely and imaginatively confronts head-on issues that many films would shy away from.

The script is consistently funny and astutely written, where sorrow often collides with humor.