Your Friend, Memphis | SXSW 2022
A frank and at times discomforting, in-depth portrait of young man who has cerebral palsy.
A frank and at times discomforting, in-depth portrait of young man who has cerebral palsy.
The film nimbly becomes a thriller without shedding its established rhythm. Before you know it, the tone has turned uncomfortably ominous.
Andrea Riseborough, who is practically a regular at SXSW, has arguably never been better.
Director Alison Otto exposes the double life of an unassuming middle-aged couple responsible for the theft of a Willem de Kooning painting, now estimated to be worth $160 million.
For moviegoers searching for a thoughtful and suspenseful work outside of the North American and Western European bubble, this is a must-see.
At its best, the film magnifies the nuts and bolts of filmmaking and how it perpetuates “positions of power,” as it’s described here.
A highly satisfying blend of a modern-day woman’s picture and a tidy, B-movie thriller.
Director Oliver Hermanus offers a fresh take on a noted work by placing its story line in a different cultural context, where it holds up handily.
An expansive documentary on a community that traces its history to the last known slaving vessel in the United States.