The Musical is at its best when Mateo Nossa’s lively score takes on a macabre, grandiose Bernard Herrmann–esque Taxi Driver lavishness.

If anything is proven by this new and rare female-led stoner movie, it is that there is always a new generation of marijuana enthusiasts willing to try to earn our laughter and complicity at the expense of their addiction.

Olivia Wilde creates a kind of sexy monster who may well become one of the most memorable characters you see this year.

This is The Wizard of Oz, only with transactional sex, gangsters, Hollywood misfits, countless pop culture references, and surprise celebrity cameos.

Director Olivia Wilde’s greatest asset is the chemistry among her quartet of performers. It is also worth remembering how committed and versatile Wilde can be as an actress.

It is satirical absurdism cranked up to at least 15, introducing more and more genre-bending gimmicks per scene yet never winking once as the ridiculousness piles up.

James L. Brooks’s new film feels like it was written by an extraterrestrial being who has consumed too much media from the 1990s and 2000s and attempts to re-create how the human species behaves.

An earnest, though innocuous, feel-good movie for the armchair traveler.

If you are a fan of gritty 1990s indie film and have a taste for screwball comedy and eccentric Coen-esque characters, then Bunny is for you.