Director Olivia Wilde’s greatest asset is the chemistry among her quartet of performers. It is also worth remembering how committed and versatile Wilde can be as an actress.

It is satirical absurdism cranked up to at least 15, introducing more and more genre-bending gimmicks per scene yet never winking once as the ridiculousness piles up.

James L. Brooks’s new film feels like it was written by an extraterrestrial being who has consumed too much media from the 1990s and 2000s and attempts to re-create how the human species behaves.

An earnest, though innocuous, feel-good movie for the armchair traveler.

If you are a fan of gritty 1990s indie film and have a taste for screwball comedy and eccentric Coen-esque characters, then Bunny is for you.

Essentially a portrait of male insecurity, with two men clueless about how to handle the women in their lives.

Much of this coming-of-ager is so convincingly awkward that I kept needing to hide my face in embarrassment.

A black comedy that is neither dark enough nor funny enough.

The delightful cast enhances this remake.