Film-Forward

About Kent Turner

Kent Turner, the editor of Film-Forward, learned the ropes of the festival circuit at the San Francisco International Film Festival and has worked in film production and acquisition in Los Angeles. He is currently the director of programming at the Monmouth Film Festival.

Emily the Criminal | Sundance 2022

A highly satisfying blend of a modern-day woman’s picture and a tidy, B-movie thriller.

By |January 31st, 2022|Crime, Festivals|0 Comments

Living | Sundance 2022

Director Oliver Hermanus offers a fresh take on a noted work by placing its story line in a different cultural context, where it holds up handily.

By |January 29th, 2022|Festivals, U. K.|0 Comments

Descendant | Sundance 2022

An expansive documentary on a community that traces its history to the last known slaving vessel in the United States.

By |January 28th, 2022|Documentary, Festivals|0 Comments

Good Luck to You, Leo Grande | Sundance 2022

The role of a widow seeking sexual experience serves as a greatest hits compilation for Emma Thompson.

By |January 26th, 2022|Festivals, sex|0 Comments

When You Finish Saving the World | Sundance 2022

Actor Jesse Eisenberg makes his writing/directorial debut, which stars Julianne Moore and Finn Wolfhard.

By |January 25th, 2022|Festivals, Indie|0 Comments

The Princess | Sundance 2022

Princess Diana’s life in the often harsh public spotlight is depicted entirely through contemporaneous audio and video news footage in this biographical documentary.

By |January 25th, 2022|Documentary, Festivals|0 Comments

The Tragedy of Macbeth

This adaptation becomes a celebration of what filmmakers can achieve confined within a soundstage.

By |December 27th, 2021|Top Picks, War|0 Comments

The Best of 2021

In some ways, this is the best of times for a film buff, with new selections more readily accessible than they ever have been, either in theaters or online.

By |December 19th, 2021|DVD/Streaming/On Demand, Top Picks|0 Comments

Nightmare Alley

What film noir—which this still is even though it is shot in color, and heavy on garish reds—has a 150-minute running time?

By |December 17th, 2021|Crime|0 Comments