A largely straightforward thriller with only a few examples of Yorgos Lanthimos’s abstract weirdness.

The standouts here are its neon-lit fights, digital worlds, and the moody score by Nine Inch Nails.

This film overwhelms with its unexpected poignance, its truthfulness, and the imagination it uses to examine its teenage characters.

Still delightfully unnerving, M3GAN hasn’t lost her edge—and she’s even gained some extra wit.

Bruce LaBruce’s reworking of Pier Paolo Pasolini’s 1968 Teorema is sex-positive, celebratory, and feverishly explicit.

Alicia Vikander is a chameleon, fully inhabiting a complex, nearly impossible role.

A half-baked and only fitfully amusing parody of Star Wars and Dune, of all things.

For now-adult fans who grew up watching Robert Pattinson in “The Twilight Saga,” there may be a particular appeal here in a three-way scene with not one, but two Pattinsons.

Dan Levy’s overwhelming score is the movie’s best asset. If you close your eyes, you might imagine you’re experiencing a grounded, minimalist French answer to Interstellar.