Pierre-Henri Gibert is the first director to take on the biography of maverick filmmaker Agnès Varda, apart from Varda herself.

In the week of Russia’s 2022 full-scale invasion of Ukraine, director Maciek Hamela sits behind the steering wheel as a volunteer transporting displaced refugees fleeing the frontlines.

Without a doubt, the 82-year-old Hayao Miyazaki pulls out all stops visually in perhaps his most beautiful movie.

The best way to enjoy this four-letter-word-filled frolic is probably to be inebriated. (This reviewer could have used a drink while watching it.)

The latest addition to the growing number of Brazilian films that offer pungent perspectives on the country’s rising Evangelical movement.

Three titles varied movies screenings during the final weekend of the festival’s 16th edition.

Director Maria Fredriksson got more than she bargained for in this onscreen family squabble, and audiences will too.

At its best, the documentary describes the homophobia of mid-20th century America by those who lived through it, while also tracing the highs and lows of the movie star’s career.

Though dissimilar, these three films have at least one commonality. Anxiety about the changing world animates, in different ways, this trio.