One artist from across the world finds a connection with someone he’s never met and uses his genius and the tools at his disposal to give her what she could not have done on her own.

The murder of Kitty Genovese is one of the most famous cases in the history of sociology and criminology, and this documentary accomplishes something remarkable by making us reconsider a story, and a concept, that we’ve long taken for granted as true.

During his 2013 campaign for New York City mayor, politician Anthony Weiner allowed two filmmakers to follow him around the clock. Entertaining, revealing, and occasionally funny, the result will give psychotherapists around the country, armchair and otherwise, ample fodder.

Though rife with sexual violence and graphic dialogue, the last film to premiere at the Cannes Film Festival was also the most elegantly made in the competition: Paul Verhoeven’s blunt, button-pushing, stinging comedy.

Director Yorgos Lanthimos’s blackly comic satire—a discombobulating rush of inventiveness and imagination that doesn’t let up.

Whit Stillman’s adaptation of Jane Austen’s Lady Susan, a posthumously published novella about a devious widow who goes husband-hunting for both herself and her daughter. It has intrigue, musings on marriage, and a fascinating female lead.

Jacques Audiard’s moody heartbreaker, the winner of the Cannes Palme d’Or last year, daringly places a rough-and-ready, documentary-ish shooting style alongside confident, startling artistry.

Director Jeppe Ronde uses a real-life event as the basis for a haunting, ethereal film, a sort of inverted Rebel Without a Cause. These teens don’t lash out so much as cave in.

Asghar Farhadi reminds us of how, ultimately, there are countless external factors that determine and alter our lives that we have no control over.