Little Richard: I Am Everything | Sundance 2023
By Kent Turner February 6, 2023
Smoothly entertaining and fast-paced, Lisa Cortés’s documentary thrives on her quotable and boisterous subject.
Smoothly entertaining and fast-paced, Lisa Cortés’s documentary thrives on her quotable and boisterous subject.
Performances by Phoebe Dynevor, Alden Ehrenreich, and Mia Goth stood out at Sundance this year.
Writer/director Raven Jackson’s debut feature reveals a perceptive and immensely talented filmmaker. The pleasures here are mainly mined from the visual and aural details.
In Ira Sachs’s brusquely told new film, the libido-led story line supported one of the festival’s best films.
Obviously improvised by its adult cast members to the point of repetition, the flabby film rambles on, like an uninspired Saturday Night Live sketch.
Plenty of films at the festival will be readily available in the next several months, such as these three.
There is still life in the kids-in-competition documentary mini-genre, here focusing on the prestigious 2021 International Chopin Piano Prize.
You don’t have to be an ardent fan of Steven Spielberg to enter his semiautobiographical bildungsroman, set in 1950s/’60s suburbia, though it wouldn’t hurt.
Why did the surge of Black-centered films from the late 1960s through the 1970s fade away?