The Fabelmans | TIFF 2022
By Kent Turner November 21, 2022
You don’t have to be an ardent fan of Steven Spielberg to enter his semiautobiographical bildungsroman, set in 1950s/’60s suburbia, though it wouldn’t hurt.
You don’t have to be an ardent fan of Steven Spielberg to enter his semiautobiographical bildungsroman, set in 1950s/’60s suburbia, though it wouldn’t hurt.
Why did the surge of Black-centered films from the late 1960s through the 1970s fade away?
There were a lot of discoveries among the titles presented in the festival’s 60th edition that should not be missed when they are officially released.
A nature documentary that finds beauty within the debris of New Delhi as two brothers rescue injured black kites.
Elegance Bratton’s semi-autobiographical feature debut was the festival’s Closing Night selection.
Writer/director James Gray places a lot of responsibility on the slender shoulders of his young actors in this re-creation of his early 1980s upbringing.
A film staged, shot, and scored as a ghost story infused by a gothic atmosphere. Joanna Hogg avoids obvious jump scares while sustaining an unsettling environment.
This restrained biopic is one of the most thoughtful to come out of Hollywood in recent years.
An elevated horror movie that’s also a burning romance, enhanced by the charisma and beauty of its stars.