Babylon
It’s as if this re-creation of 1920s Hollywood has been feverishly whipped up by a precocious 13-year-old boy with a dirty mind and a generous allowance.
It’s as if this re-creation of 1920s Hollywood has been feverishly whipped up by a precocious 13-year-old boy with a dirty mind and a generous allowance.
Although the year ended on a subdued note after many of the high profile, highly touted fall releases failed to click with audiences, here's to 2022's bright spots.
Darren Aronofsky’s workmanlike approach to an Off-Broadway play recalls many 1950s film adaptations of Broadway hits.
Three films offer fascinating looks at recent times or, in the case of one documentary, the ancient past, with two of three winning top festival prizes.
You don’t have to be an ardent fan of Steven Spielberg to enter his semiautobiographical bildungsroman, set in 1950s/’60s suburbia, though it wouldn’t hurt.
Why did the surge of Black-centered films from the late 1960s through the 1970s fade away?
Elegance Bratton’s semi-autobiographical feature debut was the festival's Closing Night selection.
Writer/director James Gray places a lot of responsibility on the slender shoulders of his young actors in this re-creation of his early 1980s upbringing.
This restrained biopic is one of the most thoughtful to come out of Hollywood in recent years.