In the Rearview | TIFF 2023
In the week of Russia’s 2022 full-scale invasion of Ukraine, director Maciek Hamela sits behind the steering wheel as a volunteer transporting displaced refugees fleeing the frontlines.
In the week of Russia’s 2022 full-scale invasion of Ukraine, director Maciek Hamela sits behind the steering wheel as a volunteer transporting displaced refugees fleeing the frontlines.
If Ibram X. Kendi’s 2016 bestseller has been banned from your local library, Netflix has come to the rescue.
Without a doubt, the 82-year-old Hayao Miyazaki pulls out all stops visually in perhaps his most beautiful movie.
The best way to enjoy this four-letter-word-filled frolic is probably to be inebriated. (This reviewer could have used a drink while watching it.)
The latest addition to the growing number of Brazilian films that offer pungent perspectives on the country’s rising Evangelical movement.
The profile of French director Jean Grémillon has received a boost lately with the 4K digital restorations of two of his films, now screening for the first time in the U.S.
At its best, Oppenheimer is downright surreal, not only in the flashes of images that may not be readily deciphered, but also how its director merges time lines together through incisive editing.
Director Maria Fredriksson got more than she bargained for in this onscreen family squabble, and audiences will too.
At its best, the documentary describes the homophobia of mid-20th century America by those who lived through it, while also tracing the highs and lows of the movie star’s career.