The Whale
Darren Aronofsky’s workmanlike approach to an Off-Broadway play recalls many 1950s film adaptations of Broadway hits.
Darren Aronofsky’s workmanlike approach to an Off-Broadway play recalls many 1950s film adaptations of Broadway hits.
Three films offer fascinating looks at recent times or, in the case of one documentary, the ancient past, with two of three winning top festival prizes.
You don’t have to be an ardent fan of Steven Spielberg to enter his semiautobiographical bildungsroman, set in 1950s/’60s suburbia, though it wouldn’t hurt.
Why did the surge of Black-centered films from the late 1960s through the 1970s fade away?
Elegance Bratton’s semi-autobiographical feature debut was the festival's Closing Night selection.
Writer/director James Gray places a lot of responsibility on the slender shoulders of his young actors in this re-creation of his early 1980s upbringing.
This restrained biopic is one of the most thoughtful to come out of Hollywood in recent years.
Claire Denis's latest is wobbly, sometimes mesmerizing, but meandering, though it features one of the year’s best musical scores.
Five years after writer/director Ruben Östlund won the Palme d’Or at the 2017 Cannes Film Festival, he triumphed again with his latest darkly satiric romp.