Sorry, Baby
For a film about someone stuck and slowly coming to terms with trauma, it’s surprisingly spirited.
For a film about someone stuck and slowly coming to terms with trauma, it’s surprisingly spirited.
Year after year, documentaries have tended to showcase the strongest works at Tribeca. Once again, this was true.
Three films brought the British Invasion of the 1980s roaring back to life.
For now-adult fans who grew up watching Robert Pattinson in "The Twilight Saga," there may be a particular appeal here in a three-way scene with not one, but two Pattinsons.
Director James Mangold focuses less on biographical details and more on Bob Dylan’s music, which might single-handedly bring the folk movement back into vogue.
It’s doubtful Nicole Kidman has ever been as emotionally and physically vulnerable as she is here.
This year gave us two time capsules from Iran and a body horror for the ages. Though many of these picks are on the serious side, there’s also a Richard Linklater comedy and two animated movies fit for a Saturday night.
The tragic events of the 1972 Munich Olympic games, told from the perspective of ABC Sports' control room.
How do you solve a problem like Maria—portraying soprano Maria Callas, that is?