Barrio Triste, Last Night I Conquered the City of Thebes, Pin de Fartie | NYFF 2025
By Guillermo Lopez Meza October 17, 2025
Three hidden gems and undistributed films that deserve attention.
Three hidden gems and undistributed films that deserve attention.
There could possibly be no more fitting option to end the 63rd New York Film Festival than with the selection of a New York–set romantic comedy with gravitas.
A bold and remarkably assured feature directorial debut plays out mostly like a fizzy—albeit sexually explicit—romantic comedy, with deep dramatic undertones.
Another in Kelly Reichardt’s canon of deceptively modest stories of ordinary people set within a specific place and time.
This is not easy viewing, but it is informative, impressive, and horrifying.
The standouts here are its neon-lit fights, digital worlds, and the moody score by Nine Inch Nails.
The musical gives Jennifer Lopez a chance to unleash all her superstar powers—both musical and cinematic.
The film wouldn’t work nearly as well without Channing Tatum and Kirsten Dunst and their palpable chemistry.