Intricate and masterful, strange and heartbreaking, Only the Animals is a great new entry into the multilinear narrative canon. 

Whether you end up satisfied or disappointed depends on if you follow the advise of one of the movie’s narrators: pay attention to details.

One thing for sure, when watching the blood-splattered and blunt Titane, you never know where it’s heading. It plays by its own rules.

The award for the most intriguing one-off at the festival goes to this story of demonic possession and romance, mixed with devilishly dark satire.

Restraint is the name of the game in Paul Schrader’s new film.

An uneasy new film that grapples with the darkness of growing up in a world distinguished by its overwhelming numbness.

A bouillabaisse of a film that mixes, not always successfully, the suspenseful procedural investigation of director Tom McCarthy’s Spotlight with the touching redemption stories of his earlier movies.

An impressive Argentinian thriller that burns very slowly, ratcheting up suspense in infinitesimal doses.

The dystopian film is best described as a parade of trauma and violence.