
God’s Own Country
By Kyle Mustain October 26, 2017
The first feature film by writer-director Francis Lee doesn’t go down the route you would expect it to.
The first feature film by writer-director Francis Lee doesn’t go down the route you would expect it to.
Writers Ben Collins and Luke Pietrowski have a preternatural sense of the teen mind and a way with dialogue.
A thoughtful meditation on how an individual’s inner and outer selves can differ profoundly.
A beautiful, deeply empathetic, world-embracing lip smack of an animated film.
For this ambitious blend of documentary and fictional filmmaking, Christopher Doyle spent a year interviewing real-life residents of Hong Kong. The result is a free-flowing, often unpredictable portrait.
Beware of comrade teacher, though she looks harmless enough with her kewpie-doll perm and brown button eyes. But there’s no confidence she won’t betray, no boundary she’ll respect.
Geremy Jasper’s debut film maintains a constant level of humor and dares to be unabashedly sentimental.
Think of Ingrid Goes West as a Black Mirror episode, only it’s more science-reality than science fiction.
A worthy heir to the gritty 1970s New York films of Martin Scorsese. What Mean Streets and Taxi Driver did for 1970s Manhattan, Good Time does for Queens of the 2010s.