End of the Century
By Phil Guie August 15, 2019
Debut director Lucio Castro captures the deliberate rhythms of a life lived in the moment.
Debut director Lucio Castro captures the deliberate rhythms of a life lived in the moment.
If Jennifer Kent’s first film, The Babadook (2014), had a sinister undercurrent, her new and more multifaceted film unleashes it in full force.
A packed, well-oiled vicious circle that speaks volumes and takes no prisoners.
The question about watching La Flor, one of the more exceptional films in recent South American cinema, shouldn’t be if but when.
The powerful documentary may represent a parent’s attempt to explain her actions to future grown-up progeny, but it’s also a tribute to a city that was once her family’s home, which currently exists solely on film and in memory.
Quentin Tarantino’s most exuberant and, believe it or not, minimalist film riffs on late-1960s Hollywood.
A cockeyed, brilliant, and surreal comedy about Holocaust denial. Apparently this phenomenon is thriving in contemporary Romanian life and thought.
Featuring one of the most memorable personalities in film this year.
A documentary way ahead of its time, of three years in the life of painter David Hockney.