Compartment No. 6
By Paul Weissman January 25, 2022
Finnish director Juho Kuosmanen has made essentially a less romantic, more realistic Before Sunrise and the first great surprise of 2022.
Finnish director Juho Kuosmanen has made essentially a less romantic, more realistic Before Sunrise and the first great surprise of 2022.
This adaptation becomes a celebration of what filmmakers can achieve confined within a soundstage.
A quiet, observant, and sympathetic character study with a standout performance by the always reliable Clifton Collins Jr.
Naples is as important to this semi-autobiographical film as its characters and events. It’s where the sacred and the profane collide.
In some ways, this is the best of times for a film buff, with new selections more readily accessible than they ever have been, either in theaters or online.
Ryusuke Hamaguchi has masterfully and thrillingly expanded Haruki Murakami’s typically spare and evocative short story into a three-hour feature.
The one individual who has the largest imprint on this 21st-century retelling is its screenwriter, Tony Kushner, more so than its director, Steven Spielberg.
This vertigo-inducing animated feature offers proof that 2D provides just as many stomach-turning, vicarious thrills (or fears) as 3-D animation.
A thoroughly entertaining and insightful documentary, even if it’s not the definitive biography of the band.