20 Days in Mariupol
By Andrew Plimpton March 9, 2024
Praising director Mstyslav Chernov’s bravery is so obvious it feels impertinent, as does describing his documentary with the trite phrase “necessary viewing.”
Praising director Mstyslav Chernov’s bravery is so obvious it feels impertinent, as does describing his documentary with the trite phrase “necessary viewing.”
If you really want to punish David Zaslav for shelving Coyote vs. Acme, you’ll seek out Hundreds of Beavers wherever it’s playing.
A sapphic Bonnie and Clyde doesn’t come around every day.
Grandiose and distinct, the world of Dune: Part Two feels alive and big.
The work of an artist with nothing to prove, with a hand at the wheel so sure you don’t even notice it.
A documentary exploration and celebration of those personal and collective specters that define our relationship with movies (and any audiovisual record).
This is the best film from last year that you probably haven’t seen yet.
The elegant framing, the long takes, and the eclectic soundscapes almost induce a trancelike state.
Directed by actress Hiam Abbass’s daughter, the documentary examines what Abbass could and could not leave behind after she left her Palestinian family for Europe.