Its finale can only be described as Terry Gilliam meets David Cronenberg.

One part Black Mirror and one part dysfunctional relationship drama, before somehow ending like an ’80’s slasher movie.

A story centered around an all-female cult of mothers and daughters led by a Jesus-like figure.

Director Peter Strickland cribs quite a bit from Dario Argento, tossed with some David Lynch for good measure, and wraps his film up in a pair of kitchen-sink dramas

With its breadth of imagination and unflinching look at the ravages of gang warfare, the movie blends Stephen King’s cusp-of-innocence vibe with Charles Dickens’s exposure of social ills.

A lean yet effectively creepy horror debut.

In the near-future, a virus has caused a zombie apocalypse in Germany, leaving only two cities inhabited by humans.

A sincere attempt to make an original horror film.

Luca Guadagnino has made less a horror thriller and more of a performance art piece, with a touch of louche elegance.