Childhood is a time when boundaries are set and tested. As such, the line between kindness and cruelty can be especially hazy. René Clément’s Forbidden Games (1952) dramatizes two children’s fascination with death, which leads them to kill an animal; Richard Hughes’s brilliant novel A High Wind in Jamaica (1929) views a group of children […]

What happens when the comfort of an online relationship turns cold.

Director Goran Stolevski’s folk/psychological/body/art-house horror may burrow under your skin and lodge itself there.

Kate Dolan’s ability to create maximum tension with a minimal budget and scant practical effects marks her as a director to watch.

While offering up a lot of intriguing ideas, A Banquet works quite well as a domestic drama but falls short as horror.

A convent becomes the site of a reported demonic possession.

It is through the quiet, accumulation of unsettling details and development of mood that Lamb derives its power.

Nobody gradually comes unglued quite like Rebecca Hall.

The idea of two children getting kidnapped on a whim is chilling enough. By placing viewers directly in their shoes, the filmmakers make it downright nail-biting.