We’re All Going to the World’s Fair
By Paul Weissman April 14, 2022
What happens when the comfort of an online relationship turns cold.
What happens when the comfort of an online relationship turns cold.
Director Goran Stolevski’s folk/psychological/body/art-house horror may burrow under your skin and lodge itself there.
Kate Dolan’s ability to create maximum tension with a minimal budget and scant practical effects marks her as a director to watch.
While offering up a lot of intriguing ideas, A Banquet works quite well as a domestic drama but falls short as horror.
A convent becomes the site of a reported demonic possession.
It is through the quiet, accumulation of unsettling details and development of mood that Lamb derives its power.
Nobody gradually comes unglued quite like Rebecca Hall.
The idea of two children getting kidnapped on a whim is chilling enough. By placing viewers directly in their shoes, the filmmakers make it downright nail-biting.
In a forest-based thriller that succeeds at putting viewers on edge, the standout threats are fungi-crusted monsters.