Director Michael Shanks delivers a solid dose of horror, humor, and romance, proving just how mainstream and accessible body horror has become.

Danny Boyle is back with one of his best films to date, once again sidestepping Hollywood’s expectations and conventions (this is, first and foremost, a British production).

The past decade has seen a sharp uptick in horror films with art-house aspirations. The wonderfully paced and imaginative Dangerous Animals is not one of them.

The strongest asset and most captivating force here is Sally Hawkins. It’s a shame there’s not more Sally Hawkins on our screens every year.

This is definitely not your Disney Cinderella. In this retelling, nausea and black comedy go hand in hand.

A vampire flick set in the Jim Crow–era South that is as twisted as it is thrilling.

Among the festival’s rich selection, three must-see highlights stand out, all still seeking distribution in the United States.

Director Robert Eggers breathes new life into a century-old tale, crafting a visually stunning, emotionally resonant reinterpretation.

Werner Herzog’s newest effort tackles another vast subject: the human brain.